Graffiti Verite 3: Voyage Intoiconography Of Graffiti Art
In GV3, filmmaker Bryan steps away from the traditional storytelling format this time around and reinvents himself by using contemporary musical idioms from different countries to proclaim the narrative. Sometimes communicating to us in Italian, Malaysian,
Latin, Pygmy, African or English; the Ethnic, World, Hip Hop, Techno, Metal, Fusion, Ballads, and House music all conspire to disorient our sensibilities and preconceptions about this underground art form. This experimental musical opus probes the socio-political context that distracts the average person from appreciating the historical / artistic significance and impact of Graf.
The classic Canadian documentary Manufacturing Consent based on the Noam Chomsky/Edward Herman book by the same name. Explores the the propaganda model of the media.
Directed by David Belhassen and Asher Hemias. The documentary won the award for "Best Documentary" at the Haifa International Film Festival and was featured as a documentary at the Israel Film Festival in Los Angeles in 2007.
Between 1968 and 1972, nine American spacecraft voyaged to the Moon, and 12 men walked upon its surface. They remain the only human beings to have stood on another world. In the Shadow of the Moon brings together for the first, and very possibly the last, time surviving crew members from every single Apollo mission which flew to the Moon, and allows them to tell their story in their own words. The definitive story of going to the moon, told by those who went. Between 1969 and 1972 an elite group of men achieved an incredible dream. They were, and remain, the only human beings to set foot on a planet other than our own. These personal testimonies are interwoven with digitally remastered footage from Nasa film archives, much of it previously unseen and all of it hauntingly evocative of a bygone era. The result is an intimate and epic film which vividly communicates the daring and the danger, the pride and the passion, of this band of special young men.
In GV3, filmmaker Bryan steps away from the traditional storytelling format this time around and reinvents himself by using contemporary musical idioms from different countries to proclaim the narrative. Sometimes communicating to us in Italian, Malaysian,