Of note are the shots from the dry Aral Sea bed, the Russian exodus and the impressions from Astana at the end of the film. Da Vaz allocated a lot of his film time driving around in a car, in my opinion catching the endless width of the Kazakh steppe quite well. And while loads of cars break down on Kazakh roads, Da Vaz must have an obsession with burst tyres and other misfortunes on Central Asian roads.
Of note are the shots from the dry Aral Sea bed, the Russian exodus and the impressions from Astana at the end of the film. Da Vaz allocated a lot of his film time driving around in a car, in my opinion catching the endless width of the Kazakh steppe quite well. And while loads of cars break down on Kazakh roads, Da Vaz must have an obsession with burst tyres and other misfortunes on Central Asian roads.